Documents Similar To Alfred Desenclos – Quatuor [Sax Quartet SATB]. Tango Virtuoso. Uploaded by. Albright, William- Sonata. Uploaded by. antosax. Quartet for Saxophones is a piece for four Saxophones composed by Alfred Desenclos in , which lasts around 15 minutes and 30 seconds. (AL ). View credits, reviews, tracks and shop for the CD release of Mobilis Saxophone Quartet on Discogs.

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Quatuor pour Saxophones, Alfred Desenclos

Three disarmingly short pieces by Robert Clerisse were lumped together as the fourth major work. Pierne’s concluding conversation was “animated,” as described, proceeding in brief statements deftly passed from one instrument to another in a curt, often staccato-like manner.

A major figure in the symphonic clarinet world once sneeringly pronounced, “No gentleman ever plays the saxophone. This is Mozart at his “naughty boy”best, having fun with his listeners, putting them on.

This made for a busy, choppy longer line, ending with a quirky final upturn.

This piece is not tonal because it does not have a traditional key center; nevertheless, Desenclos used desencols traditional harmonic progressions, bass saxophobe, and harmonies. After an introduction, the finale begins with an Allegro energico filled with jazz-inspired syncopation.

The quartet was at its best in the snappy, articulated passages, with rapid passing back and forth among the four instruments. It is difficult to find a detailed analysis of a work for saxophone or saxophone quartet. Quartet in C Major, K.

Quatuor pour Saxophones, Alfred Desenclos | Work notes | Work notes | Amherst Saxophone Quartet

Tuesday, February 22, As the music developed it seemed almost an attempt at impressionist polyphony, if that’s not a contradiction in terms. This item appears in the following Collection s.


This was brought home with the first notes of the opening work, the Quartet by Alfred Desenclossmooth and suave, with saxophonee jazzy overtones. He is organizing the musical material through the repetition of intervallic content, themes, motives, and rhythms. Everything was played in a very secure, self possessed manner.

An analysis of Alfred Desencloss Quatuor pour saxophones, I /

This highly individual music opened with brief ascending gestures tossed back and forth, alternating with islands of repose in which questioning figures swam in a pool of quiet quartt. JavaScript is disabled for your browser.

A detailed description of the composers life, history of the piece, form, melodic organization, pitch organization, and rhythm are presented in this analysis. The final movement was assertive and jabby, with capricious bursts of energy and changes of mood.

Paul Pierne’s “Three Conversations for Four Saxophones” established a dessnclos character for each of the “conversations. The soprano instrument is notoriously difficult to play in tune.

They kept the program integrity intact even in the encore, “Petite Negre,” another cakewalk which Debussy wrote in for a book on Piano Method for Children. In an extremely clever maneuver, the ensemble continued its tradition of ending programs with ragtime pieces, but without breaking the “French Sax” ambience.

Adolphe Sax, a Belgian, invented the saxophone aroundso it was particularly fitting that Belgian composer Jean Absil’s “Quatour pour Saxophones, Op.

Whatever, it was very attractive. He produced a wealth of piano music, songs, chamber music, a symphony, a requiem and film music. By virtue of the French concept of wind playing, which embodies a lighter, brighter and more incisive sound, French composers are particularly suited for writing for wind ensembles.


And as far as surface tonal sheen is concerned, at many points I sensed a glistening quality, somewhat like the Ravel String Quartet. Desenclos was a meticulous composer who was saxophond interested in coherence. Tenor player Yevgeny Dokschuvsky played an effective and pivotal role in providing a link between the baritone and alto parts throughout the concert.

In the Andante, the long, dream-like phrase in the soprano quaartet is broken off in the middle section by a passionate outburst. All four players are virtuoso masters of their instruments, and baritone player Harry Fackelman was especially polished in his rendition of the original cello line. Music 20th century Analysis.

Most of his writing fits into the French tradition, which pays homage to esprit and elegance. Most analyses of pieces for the saxophone only examine a few musical elements, they are generally saxoohone a comprehensive examination of the work.

He won the Paris Conservatory’s prestigious Prix de Rome inand in became the director for the conservatory in Roubaix. saxpphone

It would be inaccurate to dismiss this group as less than a first-rate chamber music ensemble comparable to the best small string ensembles.